CAVALLINI, Pietro

Italian Gothic Era Painter, ca.1250-1330 Italian painter and mosaicist active mainly in Rome. His major surviving works are mosaics depicting scenes from the life of the Virgin for the Roman church of Santa Maria in Trastevere (1290s) and fragments of a fresco cycle, including a Last Judgment, for the church of Santa Cecilia in Trastevere (c. 1293). He was the first to break with the stylizations of Byzantine art; his figures have a sense of weight and three-dimensionality. Cavallini had many students,


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CAVALLINI, Pietro The Last Judgement (detail) df oil


The Last Judgement (detail) df
Painting ID::  5967
The Last Judgement (detail) df
1293 Fresco, 320 x 1400 cm (full fresco) Santa Cecilia in Trastevere, Rome
   
   
     

CAVALLINI, Pietro The Last Judgement (detail) hu oil


The Last Judgement (detail) hu
Painting ID::  5968
The Last Judgement (detail) hu
1293 Fresco, 320 x 1400 cm (full fresco) Santa Cecilia in Trastevere, Rome
   
   
     

CAVALLINI, Pietro The Last Judgement (detail) f oil


The Last Judgement (detail) f
Painting ID::  5969
The Last Judgement (detail) f
1293 Fresco, 320 x 1400 cm (full fresco) Santa Cecilia in Trastevere, Rome
   
   
     

CAVALLINI, Pietro The Last Judgement (detail) fg oil


The Last Judgement (detail) fg
Painting ID::  5970
The Last Judgement (detail) fg
1293 Fresco, 320 x 1400 cm (full fresco) Santa Cecilia in Trastevere, Rome
   
   
     

CAVALLINI, Pietro The Last Judgement (detail) fdg oil


The Last Judgement (detail) fdg
Painting ID::  5971
The Last Judgement (detail) fdg
1293 Fresco, 320 x 1400 cm (full fresco) Santa Cecilia in Trastevere, Rome
   
   
     

       Prev  1  2  3   Next
Prev Artist       Next Artist     

     CAVALLINI, Pietro
     Italian Gothic Era Painter, ca.1250-1330 Italian painter and mosaicist active mainly in Rome. His major surviving works are mosaics depicting scenes from the life of the Virgin for the Roman church of Santa Maria in Trastevere (1290s) and fragments of a fresco cycle, including a Last Judgment, for the church of Santa Cecilia in Trastevere (c. 1293). He was the first to break with the stylizations of Byzantine art; his figures have a sense of weight and three-dimensionality. Cavallini had many students,

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